originally this song came out exclusvly in australia on warner brothers but it did not include derricks re-edit. this 12inch has the original pnau funk version that sounds like a dark prince song in the 80's. the greenskeepers and joshua speed up the tempo and make a chopped up dance floor vocal that has been a favorite of derricks carter, mark farina and honey djion

ilar zieht das tempo an ohne dabei auf die üblichen dub gepflogenheiten zu verzichten. denn - hey, schließlich sind wir hier bei echocord zu gas

combines funky stabbing keys, snaking bassline, driving beats, and a risque female vocal on a quality peaktime floor-mover. miguel migs lays down a superb dub take next, utilizing great shuffling beats alongside the original synths and vocal, while the bassline ups the tempo a little and swirling effects are added. b side track �decompression� is more harder action

hotline to the pentagon is a lo-fi, minimal breaks track with a sexy porno vocal sample from a phone-sex recording. the aa side, sexslave is a little more up tempo. support from a diverse range of djs including bushwacka, will saul, chris carter, brothers bud & the jengaheads.

a bass-driven groover, with a few techy elements complimenting the solid bassline, menacing vocal sample, and crisp beats. the dub mix fattens up the bass and slows the tempo a tad, turning the track into a dubbed-out house funker. on the reverse, how long is a bit brighter than it counterparts on the other side

2cd / mix cds by armin va buuren, mix 1 = on the beach, mix 2 = in the club

second album by french dj and producer kungs, including the summer party bomb Ònever going homeÓ!

subset is the featured artist for the 17th greyscale full-length. named >this quiet earth<, this 9 track heavyweight of dubby goodness offers a consistent variety of spatialness while the atmosphere clearly surrounds you with its innate charm. heavy chords are consistent characteristic here while the beats are strong and favor more of a steady low tempo. tracks like >the rivers are dry< and >trippy specs< are soaked in reverb with an old skool dub sound while >the community of worlds< and >two halves< are another pair of deep-seated scenic heaters. the steady static over many tracks give off a language of communication to the listener that balances the organic elements extremely well. >lucys sky dreams< is not unlike a classic echospace track with tremendous depth that has you on the edge of your seat. a gentle album across the board that still has a reserved serious tone to it. another fine addition to the camp, subsets debut with us is a memorable one.

collection of recent japanese music (2008-2018)

4x cd box , mixed. separated in disc 1: soundscape, disc 2: tempo, disc 3: juxtaposition and disc 4: redux

third entry in music for dreams collector series is a playful and profound selection from growing bin curator basso.

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track Òdo you believe?Ó poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called Òdaytime discoÓ through tracks like their cover of neil youngÕs Òharvest moonÓ and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called Òslow downÓ as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albumÕs release, remixes for artists like matthew dear, little dragon and foolÕs gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

hunee presents a collection of his favorite dance floor cuts from the 70ties till modern times. biggest tip! going from afro to disco to techno, hunchin all night holds a wide spectrum of songs, tracks by the wonderful boncana ma�ga, pat thomas, black beat niks, kenny larkin, larry heard, mappa mundi and many more. hunee, aka hun choi, is a korean berliner who has been drawn in music since a very young age. after working in record stores and studying musicology he resided in amsterdam, where he released his debut album hunch music. as a dj he has always followed a hunch, which gave him wings to communicate the music he loves with crowds all over the world. with hunchin all night, hunee expresses his relationship with the dance floor.

vor knapp drei monaten �berraschte der londoner musiker laucan mit seiner ersten ep -up tomorrow- - einer wundervollen mischung aus folk-psychedelia und sparsam eingesetzter electronica. laurence galpin, so der b�rgerliche name des k�nstlers, erh�lt f�r das album -framespersecond- nun die musikalische unterst�tzung von andrew phillips, der parallel bei dem label nina tune das musikalische projekt grasscut unterh�lt. -framespersecond- kombiniert das verhaltene tempo der songs, mit dem falsett-gesang von laurence und dem cello-spiel von jude tedaldi. zwischen indie-pop und modernem songwriter-folk angesiedelt, empfiehlt sich dieses beachtliche deb�t!

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-ones watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.cs best solo work to date & essential listening.

this is a clear perspective on comelades musical universe and can be considered as an ultimate best of and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrege (abbreviated rockandrolorama, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additionsÉ this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension. dont worry, the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostface killah, one of wu tang clans members that delivers a punchy performance on the upbeat tempo track thrilla, as well as steve edwards, the house music singer who sang with swedish producer axwell, and whos also known for having lent his voice to bob sinclar on the famous world, hold on. were releasing the album once more, so that you can get back into the fabulous swing of cassius.

ten walls debut album ÒqueenÓ the long awaited debut album from the highly talented dance music producer and artist ten walls called -queen- will be available from the mid of march in a double cd package. ÒqueenÓ is an organic album consisting out of two parts. first part unravels into a story told through the fusion of strong classical influences, nu jazz, down-tempo electronica, indie & house. itÕs destined to captivate attention with the emphasis on feeling through listening. second part on the other hand is oriented towards feeling through movement and better reflects the side of ten walls known to the dancefloors. this album as one piece, just divided into two physical cdÕs. the package of the album looks like a book - a piece of art. the book includes photos, reflecting each track. Òi have pictured these musical pieces in my mind, as itÕs natural for the artist to exceed the professional competence and search for additional forms that would supplement your work, making it single piece of art.Ó - adds marijus (ten walls). the combination of arts is a very important thing to be noticed, each of them has itÕs space, place and role in the album. poetry and lyrics, photography / visual arts and music, altogether they make ÒqueenÓ more than just a music album. ten walls also made collaborations with very wide and different spectrum of musicians during the creation of his debut album ÒqueenÓ. renowned maestro petras geniu_as, good old friend vytautas sondeckis who contributed with a cello masterpiece, bass guitar domas aleksa, drummer marijus aleksa, singers jonatan b�ckelie, alx , monika liu, marijusÕ spiritual friend and teacher andrew, conductor ri?ardas _umila and nonet performers

fred v & grafix bring a breath of fresh air with their long-awaited second album oxygen. the 15-track venture strips away any uniformity, opening up into dreamy, synthesized waves of drum & bass, elements of elegant electro-pop, down-tempo beats, unsuspecting instrumentation and everything in between

as one of the pioneers of the signature hospital records sound logistics already has an impressive succession of albums, eps, collaborations and remixes in his repertoire. fortunately for us heÕs adding one more to the list with his incredible sixth studio album, Ôelectric sunÕ filled with jungle flavoured rollers, garage-inspired chop-ups, down tempo head-nodders, swirling synths and merciless subs.
the double vinyl comes in a gatefold sleeve with album-cd included.

am 23. juli feiert der film -becks letzter sommer- mit christian ulmen in der hauptrolle seine leinwandpremiere. ein intensives kinoerlebnis mit einem intensiven soundtrack. der stammt von dem schweizer tobias jundt alias bonaparte. vom ersten ton an wird klar: kaum ein musiker lebt seine fantasien mit einer vergleichbaren intensit�t aus wie der wahl-berliner. zudem ist die paarung ulmen-jundt perfekt, da die beiden bereits w�hrend der vergangenheit in der band cashpunk k�nstlerisch zusammengearbeitet haben.

unserer neuen compilation ibiza chillout - the essential classics gelingt es, diese magie von der sonnigen baleareninsel nach hause zu transportieren. auf 2cds finden sich die klassiker des genres und laden zum entspannen und zur�cklehnen ein. ganz gleich, ob man nach einer guten party einen passenden soundtrack f�r die afterhour braucht, einen relaxten abend zu hause verbringt oder ganz einfach nur entspannen will: k�nstler wie afterlife, jazzamor, moby, roger sanchez oder groove armada sorgen daf�r, dass jeder auf seine kosten kommt und b�rgen f�r die hohe qualit�t von ibiza chillout - the essential classics!

after hyperdubs first compilation of 10th anniversary dancefloor heaters, -hyperdub 10.2- features some of the labels best songs of the last five years or so. hyperdub is often associated with dark and brooding instrumental music, however, this mid-summer collection sheds some sunlight over that dread filled reputation, showcasing an underrated cast of talented songwriters, vocalists and producers. the album is laced with brand new cuts from kode9, cooly g, morgan zarate feauring. eska and ghostface killah, jessy lanza, dean blunt & inga copeland, and dva featuring zaki ibrahim. ranging from melancholy r&b, garage, funk, footwork and icy pop, -10.2- covers this overlooked side of the labels back catalogue. the album opens with dean blunt & inga copeland-s grime lullaby signal 2012, one of their final collaborations, moving into burials dubbed-out r&b on shell of light from his seminal album untrue, and jessy lanzas stand-out cut 5785021, before sliding into the digi dub meets r & b slow jam of south londons cooly g with obsessed. king britt features next, with his fhloston paradigm project, on the deeply emotive never defeated- featuring rachel claudio. after their collaboration on his pretty ugly album, dva is joined again by south african singer zaki ibrahim with their brand new summery mutant garage track solid. dam funk jumps on ikonikas funk bomb -mr. cake-, adding a fun, party vocal. continuing the -80s funk vibe is morgan zarate and roses gabors ice cold prince-influenced pusher taker, the lead track from his 2013 ep. jessy lanza contributes some more sparkling r&b with the brand new you and me, followed by another track from morgan zarate, a lost dub featuring the soulful eska and wu tang clans ghostface killah. the tempo raises in the final stretch of the album with dvas and fatimas collaboration just vybe, terror danjah & melekas shimmering r&g cut you make me feel and the 160 bpm soul of the late dj rashads only one from his acclaimed double cup album. the cd closes with the lo-fi, bashy mutation of kode9 & copelands lies lies. 10.2 calls on hyperdubs sirens to balance the moody energy of 10.1 with fourteen slices of hyper soul. let them lead you astray

anchored between the end of the 80s and the beginning of the 90s, when industrial music courted funk, when electro(nica) made a shy appearance and house was visceral and plaintive, also inspired by current r&b productions and futuristic hip-hop, tropics of love is a slow tempo record that shines like a steel sun and rings diabolically romantic.

fresh bosconi mix-cd!!! incl. rondinion, nicholas, altered natives, san proper & the clover..

leila pinheiro ist eine der renommiertesten s�ngerinnen aus brasilien.

brownswood cast their net over 14 fine and thoroughly up-to-date electronic funk productions of all shades from djg, synkro & indigo, jus wan, funk ethics, hxdb, stray, monky, ta-ku, dj dials, and more. highlights have to synkro & indigos mid-tempo garage excursion knowing you and strays highly crafty consolidaion of footwork and d&b modes on break your legs, which is actually slicker than the title infers. wed also have to big up jack dixons heart-racing house number by my side, and the beautifully tailored minimalism of jus wans miles away, while elsewhere youll find melodic, flighty d&b from frederic robinson, techy garage calculations from funk ethics, lurching dubstep from djg and seductively warm electronic house by anenon.

byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.

black hole pr�sentiert das debutalbum des holl�ndischen djs & produzenten alex o rion, ausgestattet mit 15 first-class-trance-tracks inklusive seiner remixversionen f�r phunklife und tempo giusto, sowie einer kooperation mit top-trancer richard durand.

eine ansammlung von tracks, die immer ins bein gehen aber auch jeden kopf zum rauchen bringen. jede menge verspielte rhythmische details in forschem tempo, dass einem ganz schwindelig wird

the �ber-compilation is back with brandnew and exclusive tracks from the 2008 techno elite.